Sarah Bezan
Coastal Methodologies: Audio-Visual Workbooking in Ayasha Guerin's 'Submerged'
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Current Issue
Volume 4 • Issue 1 • 2023 • Volume 4
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Sarah Bezan (University of York, UK)
Coastal Methodologies: Audio-Visual Workbooking in Ayasha Guerin's 'Submerged'
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Tomas Buitendijk (University College Dublin, Ireland)
Non-Human Agency, Surprise Interventions, and Marine Futures. A Commentary on the ‘Whale’s Tail’ Metro Incident in Spijkenisse (NL)
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Andreas Philippopoulos-Mihalopoulos (University of Westminster, UK)
Waters in Anthropocenes: Art, Hydrofeminism and the 59th Venice Art Biennale 2022
About Anthropocenes – Human, Inhuman, Posthuman
Our time is known as the Anthropocene. Anthropocenes – Human, Inhuman, Posthuman has been established to become a leading global interdisciplinary journal at the centre of conceptual debates and practices. Anthropocenes – Human, Inhuman, Posthuman's core contributor base and readership will be in the social sciences, arts and humanities although often social and political thought will be applied to aspects of the natural or ‘hard’ sciences.
The journal is about the invitation to rethink notions such as abstraction, art, architecture, design, governance, ecology, law, politics and discourses of science in the context of human, inhuman and posthuman frameworks.